{"version":"1.0","provider_name":"The Architects\u2019 Journal","provider_url":"https:\/\/www.architectsjournal.co.uk","author_name":"Rupert Bickersteth","author_url":"https:\/\/www.architectsjournal.co.uk\/author\/rupert-bickersteth","title":"AJ 27.01.22: Housing &ndash; The Architects\u2019 Journal","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"7MpchZAk1h\"><a href=\"https:\/\/www.architectsjournal.co.uk\/digital-edition\/aj-27-01-22-housing\">AJ 27.01.22: Housing<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.architectsjournal.co.uk\/digital-edition\/aj-27-01-22-housing\/embed#?secret=7MpchZAk1h\" width=\"600\" height=\"338\" title=\"&#8220;AJ 27.01.22: Housing&#8221; &#8212; The Architects\u2019 Journal\" data-secret=\"7MpchZAk1h\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/cdn.rt.emap.com\/wp-content\/uploads\/sites\/4\/2022\/01\/26153412\/000_CVR_H_AJ_220127-1024x684.jpg","thumbnail_width":1024,"thumbnail_height":684,"description":"Featuring A House for Artists by Apparata Architects, Feilden Clegg Bradley Studios, Alison Brooks Architects and Gort Scott's work at Unity Place,\u00a0Sidney Close by\u00a0ZCD Architects\u00a0and the Cadiz harbour building in Antwerp by Sergison Bates"}