{"version":"1.0","provider_name":"The Architects\u2019 Journal","provider_url":"https:\/\/www.architectsjournal.co.uk","author_name":"Fran Williams","author_url":"https:\/\/www.architectsjournal.co.uk\/author\/fran-williams-3","title":"Newcastle revisits its 1960s Brutalist vision","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"FAAV9Gin0G\"><a href=\"https:\/\/www.architectsjournal.co.uk\/practice\/culture\/newcastle-revisits-its-1960s-brutalist-vision\">Newcastle revisits its 1960s Brutalist vision<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.architectsjournal.co.uk\/practice\/culture\/newcastle-revisits-its-1960s-brutalist-vision\/embed#?secret=FAAV9Gin0G\" width=\"600\" height=\"338\" title=\"&#8220;Newcastle revisits its 1960s Brutalist vision&#8221; &#8212; The Architects\u2019 Journal\" data-secret=\"FAAV9Gin0G\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/cdn.rt.emap.com\/wp-content\/uploads\/sites\/4\/2024\/11\/13141912\/INDEX-CONCRETE-DREAMS-8-copy-1024x683.webp","thumbnail_width":1024,"thumbnail_height":683,"description":"The ideas, personalities and politics behind the aspiration to transform Newcastle upon Tyne in the 1960s and 70s are explored in Brasilia of the North, an exhibition at the Farrell Centre"}