In 2010 the studio completed the \u2018quietly flowing low rise\u2019 Rolex Learning Center at the \u00c9cole Polytechnique F\u00e9d\u00e9rale de Lausanne.<\/p>\n
SANAA has only had one project built in the UK: the 2009 Serpentine Gallery Pavilion.<\/p>\n
Other notable works over the course of their three decade career include, the Dior Omotesando Store, Japan (2003); Zollverein School of Design, Germany (2006); and Grace Farms, USA (2015)<\/p>\n
The medal is the latest in a series of international accolades for Sejima and Nishizawa, who won the Pritzker Prize in 2010 just 15 years after setting up practice.<\/p>\n
The RIBA\u2019s honours committee praised the pair for shaping \u2018a universal language of architecture that resonates with people everywhere\u2019 and for their \u2018distinctive use of light [that] lends their spaces an ethereal quality\u2019.<\/p>\n
They added that SANAA\u2019s designs balanced boldness with sensitivity to the local environment, and that their works \u2018demonstrate that architecture can be both functional and profoundly elegant, offering a sense of calm amidst an increasingly complex and chaotic world\u2019.<\/p>\n
![\"\"](\"https:\/\/cdn.rt.emap.com\/wp-content\/uploads\/sites\/4\/2025\/02\/05142418\/Sydney-Modern-ProjectAustralia%EF%BC%88c%EF%BC%89Iwan-Baan-scaled.jpg\")
SANAA’s Sydney Modern, Australia (2022).<\/p>\n\t
Source:Iwan Baan<\/p><\/div>\n
On receiving news of the medal, Sejima and Nishizawa said: \u2018We’ve always believed that architecture can transform and repair environments, helping us to relate to our surroundings, nature and each other.<\/p>\n
\u2018Architecture is always teamwork\u2019<\/p><\/blockquote>\n
\u2018Throughout our careers we have tried to make spaces that bring people together, inviting them to imagine new ways of living and learning collectively.\u2019<\/p>\n
They added: \u2018Architecture is always teamwork, and we\u202fare very grateful to everyone that has given us opportunities to develop these ideas over the years, and to all those people that have worked tirelessly with us to realise them. This is a very happy moment for us, thank you.\u2019<\/p>\n
The honours committee was chaired by RIBA president Muyiwa Oki, and comprised last year\u2019s Royal Gold Medallist Lesley Lokko; architect and founder of BIG, Bjarke Ingels; and architect and co-founding director of dRMM, Sadie Morgan.<\/p>\n
Oki said SANAA\u2019s designs exemplified \u2018an unassuming yet impactful leadership in the evolving practice and theory of architecture [demonstrating] that architecture can balance functionality with profound elegance.<\/p>\n
\u2018True pioneers in the field, their unwavering commitment to sustainable, user-centred design has quietly blazed a trail for others, setting an inspiring standard for the future of our built environment.<\/p>\n
\u2018Showing remarkable clarity and consistency over the decades, their work serves as a lasting testament to the transformative power of architecture \u2013 to inspire joy, create a sense of belonging, and connect us to the environments we inhabit.\u2019<\/p>\n
A public celebration of SANAA will take place in London on 1 May.<\/p>\n
\nKazuyo Sejima (left) and Ryue Nishizawa at their office, 2022<\/p>\n\t
Source: \u00a9\ufe0e The Japan Art Association \/ The Sankei Shimbun<\/p><\/div>\n
Citation in full by the 2025 RIBA Honours Committee<\/strong><\/p>\n
Sejima and Nishizawa and Associates (SANAA) is the established collaborative practice of Japanese architects Kazuyo Sejima and Ryue Nishizawa. Spanning nearly three decades, their work has become a standard for creating meaningful, culturally insightful, and elegant architectural designs.<\/p>\n
Their work has reshaped the global design landscape, producing works that bring simplicity, light and elegance to the fore, establishing themselves as leaders in architecture\u2019s global discourse. The projects bring spaces to life with a simplicity that resonates deeply across cultures and generations.<\/p>\n
SANAA\u2019s extraordinary talent comes from the unusual nature of their practice. One which oscillates between the two partners as individual practitioners, but whose many collaborations always produce interesting and remarkable results.<\/p>\n
Balancing subtlety with strength, SANAA\u2019s landmark works speak for themselves. From the 21st Century Museum of Contemporary Art in Kanazawa to the Rolex Learning Centre in Lausanne, these projects blend transparency with solidity, uniting public and private spaces.<\/p>\n
Their hallmark is creating a seamless flow of natural light<\/p><\/blockquote>\n
With simple, elegant materials and graceful lines, their designs invite interaction, creating a seamless flow of natural light \u2013 a hallmark of their approach. Their work at the New Museum in New York and the Louvre-Lens in France reflects the innovative spirit and technical skill, bringing warmth and life to every space. Bold yet respectful of the local environment, SANAA has, since its founding, shaped a universal language of architecture that resonates with people everywhere.<\/p>\n
As pioneers in sustainable, user-centred design, SANAA exemplifies an unassuming yet impactful leadership in the evolving practice and theory of architecture. Their lasting commitment to minimalist, human-focused space speaks to a deep understanding of architecture’s power to shape society. In an era where sustainability and accessibility are increasingly essential, SANAA\u2019s work continues to set a thoughtful, inspiring standard.<\/p>\n
This medal recognises a practice that has exemplified remarkable clarity and consistency over the decades. It is a testament to their contribution to architecture – intellectually rigorous yet playfully engaging. Their legacy is rooted in a shared vision where architecture prioritises the human experience and human interaction, alongside form and function.<\/p>\n
As pioneers, they demonstrate that architecture can be both functional and profoundly elegant, bringing a sense of calm to our increasingly complex and chaotic world. Their designs prove that good architecture is approachable, easy to use, and compelling, as it embodies a global language of design understood across culture and generations.<\/p>\n
New Museum of Contemporary Art, New York, 2007<\/p>\n\t
Source:Dean Kaufman<\/p><\/div>\n<\/div>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
According to the RIBA, which announced the honour today (6 February), the medal recognises the Japanese practice\u2019s work around the globe and projects that \u2018bring simplicity, light and elegance to the fore\u2019. SANAA is known for its \u2018sustainable, user-centred design\u2019 including art galleries such as the New Museum of Contemporary Art in New York, the …<\/p>\n","protected":false},"author":915,"featured_media":773466,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false},"categories":[681],"tags":[3207,5315,91190],"yoast_head":"\n
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