{"id":767237,"date":"2025-01-16T08:38:54","date_gmt":"2025-01-16T08:38:54","guid":{"rendered":"https:\/\/www.architectsjournal.co.uk\/?p=767237"},"modified":"2025-01-16T12:49:12","modified_gmt":"2025-01-16T12:49:12","slug":"details-of-the-week-doors-and-windows","status":"publish","type":"post","link":"https:\/\/www.architectsjournal.co.uk\/specification\/details-of-the-week-doors-and-windows","title":{"rendered":"Details of the week: doors and windows"},"content":{"rendered":"

The AJ\u2019s Architects\u2019 Working Details were first published in 1953. Originally written by Colin Boyne, they ran to a series of 15 classic black-bound volumes. After a long lull, the series was revived in 1988 by the AJ’s then editor Peter Carolin, in a series of spiral-bound volumes edited by David Jenkins <\/span>and then continued later by Sue Dawson, an occasional series that continued until the early 2000s. Consisting of a selection of details originating from the building studies published in the AJ at the time, Louis Dezart, the AJ’s in-house Drawings Editor and then later <\/span>Dawson re-drew and re-scaled the drawings \u2013 many by hand \u2013 to fit the pages of the AJ, with constituent components clearly annotated.<\/p>\n

Almost 20 years on, we\u2019re very pleased to be bringing the series back, with the first edition published in December featuring a round-up of details published in AJ Specification case studies over the past five years. They have been organised in five sections: fa\u00e7ades and cladding; doors and windows; kitchens and bathrooms; roofing and drainage and, finally, walls, ceilings and partitions.<\/p>\n

The buildings weren\u2019t especially chosen on their aesthetic merits, but more to demonstrate a range of typologies and scales across the country. And, as with previous versions, this first series is intended to offer a collation of ideas about detailing.<\/p>\n

Each detail \u2013 most previously published but some never seen before \u2013 has been re-edited so the drawings look consistent throughout. They are accompanied by project data and the issue of AJ Specification that the building appeared in for reference, together with some images and a short description authored by the designers of each building.<\/p>\n

In total we present 28 projects across five sections, which, while not a comprehensive primer, are intended to offer a good comparative range of approaches to key areas of construction. Although some details chosen demonstrate relatively new techniques, the majority refine tried-and-tested methods of making buildings.<\/p>\n

The overarching aim remains the same as before, however: to enable and encourage those working in the built environment to share information on solving problems in design.<\/p>\n

Each of the five sections will be published over five weeks, with this week the focus being on doors and windows. Click here<\/a> to see fa\u00e7ades and cladding.<\/p>\n

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Purchase a printed copy of AJ Working Details here<\/a>\u00a0<\/strong>or read the full issue online<\/a><\/strong><\/p>\n<\/div>\n

 <\/p>\n

Bristol Old Vic by Haworth Tompkins<\/h2>\n
Cor-ten steel shutters<\/pre>\n
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Photos: Philip Vile<\/em><\/p>\n\t
<\/p><\/p><\/div>\n
The new front-of-house space and studio theatre for the Grade I-listed Bristol Old Vic was the result of five years of research, consultation, design and construction. Audiences had become disengaged from the theatre, which appeared sealed-off from the street and so a new foyer was conceived as an informal extension of the street.<\/p>\n
The centrepiece of the space is the much-altered fa\u00e7ade of the Georgian auditorium. This is visible from the street for the first time, illuminated by a large light well and punctured by new openings to \u2018overwrite\u2019 the visible evidence of historical alterations. Mezzanine galleries, winding timber staircases and viewing platforms allow the entire audience to move up, down and around a single, convivial space before and after each show, and the local community to enjoy the foyer throughout the day as a caf\u00e9, bar and meeting place.<\/p>\n
A lightweight Douglas fir glulam structure forms the new \u2018public square\u2019, or foyer. Exposed bolted connections will allow this to be disassembled for re-use at the end of the building\u2019s lifetime, if required. An oak lath screen along one side of the foyer conceals a natural ventilation intake and is designed to bend and flex.<\/p>\n
Huge, sun-shading Cor-ten steel shutters, incorporating the text of David Garrick\u2019s inaugural 1766 address at the theatre and a poem by former Bristol City Poet Miles Chambers highlight the theatre\u2019s long history and look forward to its future role within the whole community.\u00a0Read more here<\/em><\/a><\/p>\n
Location:<\/strong> Bristol | Completion:<\/strong> September\u00a02018\u00a0| Gross internal floor area:<\/strong> 2,135m\u00b2 | Structural engineer:<\/strong> Momentum\u00a0| Main contractor:<\/strong> Gilbert-Ash\u00a0| AJ Specification issue:<\/strong> July 2019<\/p>\n
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Duke of York Restaurant by Nex Architecture<\/h2>\n
Curved and retractable glazing<\/pre>\n
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Photo: James Brittain<\/em><\/p>\n\t
<\/p><\/p><\/div>\n
Nex Architecture was commissioned by Cadogan following an international design competition that sought a distinctive restaurant which could be a focal point for London\u2019s Duke of York Square.\u00a0<\/span><\/span><\/p>\n
The spiral form is defined by a slender, off-white, concrete wall that curls up from the square, giving a sense of movement and views from all sides. Large openings to the main restaurant space enhance the building\u2019s welcoming presence and allow diners to spill out onto the square in fine weather. A curving staircase in the outermost limb of the spiral leads to a roof garden, which is open to the public and accessed independently from the square.<\/span><\/p>\n
Inside, sculptural arches and large, retractable windows emphasise the restaurant\u2019s spaciousness: three large, curved panels glide into the basement on a counterweight, like a sash window.<\/span><\/p>\n
Alongside a private dining space, the basement contains the restaurant kitchen, WCs and plant \u2013 including trenches for the glazing mechanism, where its large, steel counterweights are housed. \u00a0<\/span><\/span><\/p>\n
The materials selection balanced a desire for refined transparency with structural requirements. A perimeter frame for the glazing is powder-coated mild steel section, which can withstand the high stresses induced by the large moving units. Intermediate mullions are solid stainless steel flat bars, finished with a soft mirror polish to reflect their surroundings. The toughened and laminated structural glass units are low-iron to increase transparency.<\/span><\/p>\n
Although similar retracting systems have been installed outside the UK, all have used straight panels. This makes the restaurant the world\u2019s first example of a retractable curved glass system<\/span>. Read more here<\/em><\/a><\/p>\n
Location:<\/strong> London SW3\u00a0| Completion:<\/strong> September 2019\u00a0| Gross internal floor area:<\/strong> 640m\u00b2 | Structural engineer:<\/strong> AKT II\u00a0| Main contractor:<\/strong> Westgreen\u00a0| AJ Specification issue:<\/strong> July 2020<\/p>\n
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Lock Keeper\u2019s Cottage by Sanchez Benton Architects<\/h2>\n
Bespoke windows<\/pre>\n
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Photos: Oskar Proctor<\/em><\/p>\n\t
<\/p><\/p><\/div>\n
The project for the refurbishment of a lock keeper\u2019s cottage on the Regent\u2019s Canal sought to turn a series of major structural interventions, necessary to safeguard the structural integrity of the existing building, into a holistic architectural proposal.\u00a0<\/span><\/span><\/p>\n
The foundations had been undermined by willow trees and the structure was at risk of collapse. Sanchez Benton worked closely with the engineers to design a structural solution around a single stepped concrete column and a series of beams to hold back the leaning fa\u00e7ade, then threading the rest of the house around this structure.<\/span><\/p>\n
In response to the constrained site, the proposal relocated most of the storage of the house into the thickness of the front fa\u00e7ade. The project is developed as a grand loggia to the Regent\u2019s Canal \u2013 a one room-deep building. The practice designed a series of bespoke doors and windows to open fully to 180 degrees and sit flat against the new brick fa\u00e7ade, giving the impression, when seen from the inside, of a covered outdoor room by the weir.\u00a0<\/span><\/span><\/p>\n
The external materials for the project were dictated by the conservation officer\u2019s requirements for the building to match the language of the conservation area \u2013 reclaimed London stock brick pointed in a coarse-textured lime mortar. The officer requested all windows to be timber but for the frame sizes to match those of the neighbour\u2019s thin metal windows. This request led to a challenging detailing process to achieve a robust component that would carry manufacturers\u2019 warranties<\/span>. Read more here<\/em><\/a><\/p>\n
Location:<\/strong> London NW1\u00a0| Completion:<\/strong> February 2020\u00a0| Gross internal floor area:<\/strong> 71m\u00b2 | Structural engineer:<\/strong> Price & Myers\u00a0| Main contractor:<\/strong> John Perkins Projects\u00a0| AJ Specification issue:<\/strong> July 2020<\/p>\n
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Cheng Yu Tung Building by MICA<\/h2>\n
Structural windows in natural stone surrounds<\/pre>\n
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Photo: Jim Stephenson<\/em><\/p>\n\t
<\/p><\/p><\/div>\n
This prominent building for Jesus College in central Oxford brings together teaching, retail, research, NHS healthcare and student living within a 21st century fourth quad for the Elizabethan college.<\/p>\n
The scheme was central Oxford\u2019s first new all-electric building, complemented by on-site energy generation for 40 per cent of its needs. The scheme re-uses an existing concrete structure, with most of the new part constructed with cross-laminated timber.<\/span><\/p>\n
Above the new, generous entrance, the gatehouse is topped by a new tower room gallery with striking views, at close quarters, across the famous \u2018dreaming spires\u2019.\u00a0<\/span><\/span><\/p>\n
As the primary structural material of the upper floors, CLT, due to its lighter weight, enabled the re-use of the existing basement structure and foundations, thus reducing the amount of manufactured material used and giving significant advantages through carbon sequestration. Locally sourced natural stone was specified as the cladding for all elevations, providing a robust, long-lasting building that minimises its impact on the environment and refers to the surrounding quad buildings.\u00a0<\/span><\/span><\/p>\n
The bespoke appearance of the larger windows, in particular the gatehouse tower room gallery window, required collaboration between all the team to carefully detail the integration of structural support, waterproofing and a seamless appearance.<\/span><\/p>\n
The fenestration is of various sizes and articulation, reflecting use and performance. For the naturally ventilated study bedrooms, smaller openable windows have standard frames in unique surrounds and larger fixed windows are deeply recessed to benefit from shading. For communal spaces, such as the gatehouse, larger structural glazing was used. The specification and subsequent choice of glazing ensured a suitable G-value, avoiding the risk of overheating.\u00a0<\/span>Read more here<\/em><\/a><\/p>\n
Location:<\/strong> Oxford | Completion:<\/strong> September 2022\u00a0| Gross internal floor area:<\/strong> 8,090m\u00b2 | Structural engineer:<\/strong> Smith and Wallwork\u00a0| Main contractor:<\/strong> BAM Construction\u00a0| AJ Specification issue:<\/strong> June 2023<\/p>\n
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The Energy Hub by Morris+Company<\/h2>\n
Concealed metal windows and louvres<\/pre>\n
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Photo: Jack Hobhouse<\/em><\/p>\n\t
<\/p><\/p><\/div>\n
The Energy Hub is a mixed-use building within the regeneration masterplan for Elephant and Castle. Developed by Lendlease, the four-storey building contains a combined heat and power plant, nursery, caf\u00e9, community space and pocket park. The community hub fit-out was designed by Feix&Merlin Architects.\u00a0<\/span><\/span><\/p>\n
The building\u2019s materials were selected to communicate the special programmatic quality of the project, being a hybrid building supporting community functions (energy generation, nursery, community room) and, importantly, to contrast with the grain and texture of the London vernacular housing which makes up the context.\u00a0<\/span><\/span><\/p>\n
Another important factor in the design was the requirement to be able to disassemble the building and replace or upgrade it as technologies in energy generation advance. Thus, the skin is panellised, fastened and simple to remove. The precast plinth can also be removed without resorting to destructive methods.\u00a0<\/span><\/span><\/p>\n
A composition of windows of differing sizes punctuates the building\u2019s skin, defined by the varied programmes in the building. The perforated metal fa\u00e7ade conceals a secondary set of openable windows and louvres that reveal themselves at night, giving the building a changing fa\u00e7ade. The building provides views into the industrial workings of the energy plant through large windows at ground-floor level, offering an education into how energy is created.\u00a0<\/span><\/span><\/p>\n
A double-height caf\u00e9 opens out onto the pocket park and on the upper levels the nursery has large windows and terraces, allowing visual connections to the local school and across the terrace rooftops.\u00a0<\/span><\/span>Read more here<\/em><\/a><\/p>\n
Location:<\/strong> London SE1\u00a0| Completion:<\/strong> February 2019\u00a0| Gross internal floor area:<\/strong> 4,360m\u00b2 | Structural engineer:<\/strong> Robert Bird Group\u00a0| Main contractor:<\/strong> Lendlease | AJ Specification issue:<\/strong> June 2021<\/p>\n
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106 Lilford Road by studio HANDS<\/h2>\n
Arched openings<\/pre>\n
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Photos: Peter Molloy<\/em><\/p>\n\t
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The site, in Camberwell, south London, is located along a curved road, leaving the plot contoured into an awkward triangular shape. An existing two-storey dwelling with a garage was in poor condition and presented structural and layout impracticalities. This prompted the decision to demolish it and develop a design for two new houses.<\/p>\n
Site challenges were addressed by chamfering the corner of the house, thus creating a transition between the two axes of the street. The front fa\u00e7ade is set back to rationalise internal layouts and create a relief from the street view. The design and choice of materials maintain the character of terraces on Lilford Road while avoiding pastiche.<\/p>\n
Arched openings on the ground floor take their inspiration from local typologies. Precast concrete lintels and parapets allow for neat finishes and enhance fa\u00e7ade articulation. The top band and bay window blend with the existing terrace on Lilford Road. As you turn the corner, the building gets a more modern look.<\/p>\n
Opting for green accents not only injects a playful charm but enhances the building\u2019s contextual cohesion, showcased through window frames and painted front doors. Up on the top floor, the master bedrooms are tucked away in a zinc box extension.\u00a0<\/span><\/p>\n
A composite window system was selected to harness the advantages of both aluminium and wood. The aluminium frame offers a sleek, continuous profile and assists weather resistance. Internally, the wood frame provides better thermal performance and a warm, tactile experience.\u00a0<\/span><\/p>\n
Architect studio HANDS worked closely with the manufacturer to subdivide the glass panes, reducing costs and simplifying on-site installation. The polyester powder coating in olive green was chosen to contrast with the brickwork and match the reflections, allowing the window system to read as a whole, unlike the white-painted frames of windows on the adjacent terrace.\u00a0Read more here<\/em><\/a><\/p>\n
Location:<\/strong> London SE5\u00a0| Completion:<\/strong> September 2023\u00a0| Gross internal floor area:<\/strong> 218m\u00b2 | Structural engineer:<\/strong> The Structure Studio\u00a0| Main contractor:<\/strong> Martin\u2019s Builders\u00a0| AJ Specification issue:<\/strong> July 2024<\/p>\n
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The AJ\u2019s Architects\u2019 Working Details were first published in 1953. Originally written by Colin Boyne, they ran to a series of 15 classic black-bound volumes. After a long lull, the series was revived in 1988 by the AJ’s then editor Peter Carolin, in a series of spiral-bound volumes edited by David Jenkins and then continued …<\/p>\n","protected":false},"author":59337,"featured_media":768036,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false},"categories":[721],"tags":[5697,101421],"yoast_head":"\nDetails of the week: doors and windows<\/title>\n<meta name=\"description\" content=\"For the first time since the early 2000s, the AJ has brought back Working Details, featuring a round-up of details published in AJ Specification case studies over the past five years\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.architectsjournal.co.uk\/specification\/details-of-the-week-doors-and-windows\" 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